238 Royalty-Free Audio Tracks for "Scales Dataset"

Non-Pythagorean scale on C.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Bayati scale. MIDI pitch bend matches intervals (1 quarter flat).

833 cents scale on C. MIDI pitch bend matches intervals.

Diminished seventh chord's use in modulation.

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Ascending and descending scale played in E flat major

A12 tuning (12 steps to the perfect twelfth) on C.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

Diatonic scale on C.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)

The pelog selisir scale of Balinese gamelan gong kebyar, played on a gangsa.

C major bebop scale.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Minor major seventh chord on C.

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

Solo trumpet improvisation performance recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

9-limit dekany scale.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

10-tet scale on C. MIDI pitch bend matches intervals.

Example of melodic minor from the opening of Vivaldi's Concerto grosso, RV 578, Op.3/2.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Harmonic Scale chromatic on C.

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Monophonic saxophone solo improvisation on bb-major scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).

Monophonic saxophone solo improvisation on bb-minor scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Solo trumpet improvisation performance on major scale recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Solo trumpet improvisation performance in minor scale recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

Tram : recording-13.

Simulation of data cassettes ,dial-up ,low bit data transfer with modular synthesizer. Created with vcv rack. Using frankbuss formula module.

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.